Tutur Candra Bherawa Pakeliran Theater: A New Process of Creation For Traditional Theater

Tutur Candra Bherawa Pakeliran Theater: A New Process of Creation For Traditional Theater

Authors

  • I Gusti Putu Sudarta Institut Seni Indonesia Denpasar
  • Dru Hendro Institut Seni Indonesia Denpasar

DOI:

https://doi.org/10.31091/lekesan.v6i2.2362

Abstract

Tutur Candra Bherawa Pakeliran Theatre is a total theatre work that explores and uses the elements of the art in Balinese Traditional theatre. This work uses a song as a means for storytelling, becoming a theatrical music presentation. The melodies and vocals are not only based on Balinese and Javanese traditions but also adapt and transform the styles of qawwali music (Sufi songs) and other spiritual songs. It is presented in the Sangita song form, accompanied by instrumental music and dance. The concept of this work is ngarcana sarining lango, described as bukti-mukti-jiwan mukti. The method of creation utilizes the Gandha Sesa composition technique. Bhasma Sesa is the framework for the play, dramatic plot, play script, and form of presentation.

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References

I. W. Artika, Sastra dan Kenyataan. Denpasar: Pustaka Larasan, 2016.

R. . Shringy, Sangita Ratnakara of Sarngadeva" Text and English Translation. Prem Lata Sharma: Motilal Banarsidas Delhi, 1978.

I. Agastya, Ida Pedanda Made Sidemen Pengarang Besar Bali Abad ke-20. Denpasar: Yayasan Dharma Sastra, 1994.

Tedjoworo, Imaji dan Imajinasi. Suatu Telaah Filsafat Postmodern. Yogyakarta: Kanisius, 2001.

J. Sumardjo, Filsafat Seni. Bandung: ITB Bandung, 2000.

S. Soedarso, Trilogi Seni Penciptaan, Eksistensi, dan Kegunaan Seni. Yogyakarta: Institut Seni Indonesia Yogyakarta, 2006.

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Published

2023-07-24

How to Cite

I Gusti Putu Sudarta, & Hendro, D. (2023). Tutur Candra Bherawa Pakeliran Theater: A New Process of Creation For Traditional Theater. Lekesan: Interdisciplinary Journal of Asia Pacific Arts, 6(2), 84–94. https://doi.org/10.31091/lekesan.v6i2.2362

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