Vol. 7 No. 2 (2024)

View Vol. 7 No. 2 (2024)
DOI: https://doi.org/10.31091/lksn.v7i2
Published: 2024-09-13

  • A WOLIO SCRIPTURE AS A SOURCE OF INSPIRATION IN THE CREATION OF ISLAMIC CALLIGRAPHY ART

    I Wayan Seriyoga Parta, Adam Almiftah Umar, Hasmah
    56-66
    DOI: https://doi.org/10.31091/lksn.v7i2.2780

  • FORM AND FUNCTION STUDY OF BARIS KEKUPU DANCE IN BANJAR LEBAH, SUMERTA KAJA VILLAGE, DENPASAR CITY

    I Wayan Adi Gunarta
    67-77
    DOI: https://doi.org/10.31091/lksn.v7i2.2810

  • ENGAGING INDONESIAN YOUTH WITH THE MEBUUG-BUUGAN TRADITION THROUGH THE NOVEL "SEHARI SETELAH SEPI"

    Ni Wayan Mahadewi Suci Danaswari, Shienny Megawati Sutanto
    78-91
    DOI: https://doi.org/10.31091/lksn.v7i2.2866

  • CREATIVE AND INNOVATIVE TEACHER'S ATTITUDE IN DEVELOPING THE CREATIVITY OF KINDERGARTEN CHILDREN AT TK DHARMA PUTRA DENPASAR

    Kadek Diah Pramanasari, Reni Anggraeni, Ida Ayu Gede Sasrani Widyastuti, Dewa Gede Satya Adi Maha Utamia
    92-103
    DOI: https://doi.org/10.31091/lksn.v7i2.2983

  • BEDAWANG NALA: ARTISTIC INSPIRATION FOR A FICTION FILM TO STRENGTHEN ENVIRONMENTAL EDUCATION AWARENESS

    Hari Kayana Putra Ida Bagus, Surya Peradantha Ida Bagus Gede , Sasrani Widyastuti Ida Ayu Gede
    104-117
    DOI: https://doi.org/10.31091/lksn.v7i2.3033

  • TRADITIONAL REPETITION PATTERNS IN THE CREATIVE PROCESS OF THE KETUT SUGANTIKA LEKUNG’S POROSAN SERIES

    Luh Budiaprilliana
    118-132
    DOI: https://doi.org/10.31091/lksn.v7i2.3036