Vol. 1 No. 1 (2018): April

View Vol. 1 No. 1 (2018): April

Available Online since April, 2018

DOI: https://doi.org/10.31091/lekesan.v1i1
Published: 2018-05-22

  • Performing Authenticity And Contesting Heritage In The UNESCO-Inscribed Jerusarema/Mbende Dance Of Zimbabwe

    Nesta Nyaradzo Mapira, Made Mantle Hood
    1-11
    DOI: https://doi.org/10.31091/lekesan.v1i1.340

  • Interculturalism through a cognitive filter: Gilles Tremblay recomposes gamelan in Oralléluiants [1975]

    Jonathan Goldman
    12-18
    DOI: https://doi.org/10.31091/lekesan.v1i1.344

  • Curating the Painting Collection of the Presidential Palace of the Republic of Indonesia

    Mikke Susanto, GR. Lono L. Simatupang, Timbul Haryono
    19-29
    DOI: https://doi.org/10.31091/lekesan.v1i1.342

  • Interpreting the Tri Mandala Concept on the Motif of Gringsing Wayang Kebo Woven Cloth

    Nina Eka Putriani, Sri Marwati, I Wayan Mudra
    30-38
    DOI: https://doi.org/10.31091/lekesan.v1i1.343

  • Meguru Panggul and Meguru Kuping; The Method of Learning and Teaching Balinese Gamelan

    I Wayan Sudirana
    39-44
    DOI: https://doi.org/10.31091/lekesan.v1i1.341

  • Expansion Of Value And Form Dol Musicality As Ritual Tabot In Bengkulu

    Bambang Parmadie, I Gede Arya Sugiartha
    45-51
    DOI: https://doi.org/10.31091/lekesan.v1i1.301