Vol. 7 No. 1 (2024)

View Vol. 7 No. 1 (2024)
DOI: https://doi.org/10.31091/lksn.v7i1
Published: 2024-05-29

  • VISUAL SIGNS ON THE BILLBOARD OF BALI ARTS FESTIVAL XLV YEAR 2023 : PEIRCE SEMIOTICS ANALYSIS

    Gede Bayu Segara Putra, I Kadek Jayendra Dwi Putra
    1-9
    DOI: https://doi.org/10.31091/lekesan.v7i1.2812

  • INNOVATION OF WAYANG PERFORMANCE THROUGH CINEMA AND THEATER TECHNIQUES AS NEW MEDIA

    widnyana i kadek, MARHAENI, SUDARTA I GUSTI NGURAH , DWIYANI NI KADEK , RINTO WIDYARTO
    10-15
    DOI: https://doi.org/10.31091/lekesan.v7i1.2539

  • INTEGRATION OF GREEN OPEN SPACES IN TOURISM ACCOMMODATION GLAMPING RICHLAND BATURITI BALI

    Ni Luh Kadek Resi Kerdiati
    16-27
    DOI: https://doi.org/10.31091/lksn.v7i1.2839

  • THE STORY OF YOUNG PHOTOGRAPHER IN “MESATYA – TELUSUR PUPUTAN BADUNG” DOCUMENTARY FILM

    Made Rai Budaya Bumiarta, Muka I Ketut, Suardana I Wayan
    28-35
    DOI: https://doi.org/10.31091/lksn.v7i1.2804

  • TETIKESAN PRACTICAL TRAINING OF WAYANG PARWA BEBADUNGAN STYLE PERFORMANCE IN SANGGAR MAJALANGU

    I Made Marajaya, Ni Komang Sekar Marhaeni, I Kt. Suteja
    36-46
    DOI: https://doi.org/10.31091/lksn.v7i1.2805

  • NEMU–ANG, A NEW MUSICAL COMPOSITION

    Hendra Santosa, I Komang Werdi Darmawan, Ni Putu Hartini
    47-55
    DOI: https://doi.org/10.31091/lksn.v7i1.2782