“Greget” in The Surabaya Ngrema Dance Performance Representation of The Value of The Fighting Spirit of Arek Surabaya
DOI:
https://doi.org/10.31091/mudra.v38i4.2210Keywords:
Ngrema Surabaya Dance, Greget, Representation HeroismeAbstract
In the Ngrema Surabayan dance performance there is an expression called Greget. Greget that the audience felt are in form of vibrations when the dancers make movements. Suspected Greget is a dancer's interpretation work to present certain figures as a reflection of dance themes. This research uses a descriptive approach by applying technical and kinesthetic analysis of motion. Ethnographic methods are used as data collectors and compile narratives to realize an understanding of Greget. The results of the study explained that the Greget in Surabayan Ngrema Dance was formed by the quality of technique and kinesthetic. The technique as the application of the basic guidelines for the implementation of the motion presents kinesthetic that is a sense of gallant, agile, and authoritative. Sense of movement is the implication of a deep appreciation of the value of heroism. The value of heroism as a dance theme is represented by dancers from the Cakraningrat figure the regent of Madura. An imaginary expression of the spirit of struggle in the Ngrema Surabayan dance embodies the legitimacy of the Surabaya City hero identity.
Downloads
References
Bungin, Burhan. 2001, ed. Metodolog Penelitian Kualitatif Aktialisasi Metodologis Ke arah Ragam Varian Kontemporer. Divisi Buku Perguruan Tinggi. Jakarta: PT Raja Grafindo Persada.
Frosch, D. Joan. 1999, Dance Etnography: Tracing the Weave of Dance in the Fabric of Culture, dalam Reserching Dance: Evolving Modes Of Inquiry, Fraleigh, Harton, Sondra, diedit oleh Frosch, D. Joan. University of Pittsburgh Press.
Gardner, Howard. 1939, Multiple Intelli-gences. Diterjemahkan oleh Alexander Sindoro. Kecerdasan Majemuk Teori Dalam Praktek. 2003. Jakarta: Interaksara.
Geertz, Clifford. 1960, The Religion of Java. Illinois: Massachusertts Institute oh Technology. Terjemahan Aswab Mahasin, Agama Jawa, Abangan, Santri, Priyayi Dalam Kebudayaan Jawa. 2017. Depok: Komunitas Bambu, Cetakan ketiga.
Hadi, Y. Sumandiyo. 2013, Tari Klasik Gaya Yogyakarta: Legitimasi Warisan Budaya, Lembah Manah.
Hadi, Y. Sumandiyo 2017a, Koreografi: Bentuk-Teknik-Isi, edisi revisi, Yogyakarta: Cipta Media.
Hadi, Y. Sumandiyo. 2017b, Koreografi Ruang Prosenium, Yogyakarta: Cipta Media &BP. ISI Yogyakarta.
Kasemin, Kasiyanto. 1999, Ludruk Sebagai Teater Sosial, Surabaya: Unair Press.
Kuntowijoyo. 2008, Penjelasan Sejarah (Historical Eksplanation). Yogyakarta: Tiara Wacana.
Kusumo, W, Sardono. 2003, Pencitraan Romantisme Rusman Dan Darsi, dalam Rusini, Gatutkaca di Panggung Sukarno. Surakarta: STSI Press.
Murgiyanto, Sal. 2004, Tradisi dan Inovasi, Beberapa Masalah Tari Di Indonesia, Jakarta. Wedatama Widya Sastra.
Peacock, James, L. 1968, Rites Of Modernization Symbolic and Social Aspects of Indonesian Proletarian Drama, Chigago & London, The Univer-sity of Chigago Prees. Diterje-mahkan oleh Eko Prasetyo. 2005. Ritus Modernisasi asapek Sosial & Simbolik Teater Rakyat Indonesia. Jakarta: Desan-tara Utama,
Pramutomo, R.M. 2007, ed. Etnokoreo-logi Nusantara (batasan, kajian, sistema-tika, dan aplikasi keilmuannya), Surakarta.ISI Surakarta Press.
Prihatini, Sri, Nanik DKK. 2007, Ilmu Tari Joget Tradisi Gaya Kasunanan Surakarta. Surakarta: ISI Surakarta Press.
Rohendy Rohidi, Tjetjep. 1992, Analisis Kualitatif Dalam Konteks Penelitian Sosial Budaya, Pusat kajian Bahasa dan Sosial Budaya, Lembaga Penelitian Universitas Negeri Semarang, tth, p.2
Sedyawati, Edi. 2007, Etnokoreologi Nusantara: Perspektif, Paradigma, dan Metodologi, dalam Etnokoreologi Nusantara (batasan kajian, sistematika, dan aplikasi keilmuannya) ed. Paramutomo. R.M. Surakarta, Institut Seni Indonesia Surakarta (ISI) Press.
Soedarsono, R.M. 2001, Metodologi Penelitiaan Seni Pertunjukan dan Seni Rupa, Bandung, Masyarakat Seni Pertunjukan Indonesia (MSPI).
Soedarsono, R.M. 2007, Penegaan Etnokoreologi Sebagai Sebuah Disiplin dalam Etnokoreologi Nusantara (batasan kajian, sistematika, dan aplikasi keiolmuannya) ed. Pramutomo. R.M. Surakarta, Institut Seni Indonesia Surakarta (ISI) Press.
Suryobrongto, G.B.P.H. Tari Klasik Gaya Yogyakarta (Mataram)” dalam Kawruh Joget Mataram. Edisi R.M. Dinusatama. Yogyakarta. Yaya-san Siswa Among Beksa.
Supriyanto, Henri. 1992, Lakon Ludruk Jawa Timur, Jakarta : Gramedia.
Supriyanto, Henri. 2001, Ludruk Jawa Timur, Pemaparan Sejarah, Tonel Direksi, Manajemen dan Himpunan Lakon, Surabaya: Dinas P Dan K Propinsi Jawa Timur dan PT Bina Ilmu.
Wahyudiyanto. 2008, Kepahlawanan Tari Ngrema Surabayan Refleksi Cita, Citra, Dan Politik Identitas Dalam Ruang Estetik. Surakarta, ISI Press Solo.
Wibisono, Broto, Tri. 2015, Tari Ngrema Catatan Dari Panggung Ke Panggung. Surabaya, Dewan Kese-nian Jawa Timur Press.
Widyastutieningrum, Rochana, Sri. 2004, Sejarah Tari Gambyong Seni Rakyat Menuju Istana, Surakarta: Citra Etnika.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Wahyudiyanto
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
- Copyright on any open access article in a journal published by Mudra Jurnal Seni Budaya is retained by the author(s).
-
The Creative Commons Attribution License 4.0 formalizes these and other terms and conditions of publishing articles.