Profil “Kontemporer” Musik Kelahiran Minang

Mahdi Bahar

doi:10.31091/mudra.v20i1.1517

Profil “Kontemporer” Musik Kelahiran Minang

Authors

Mahdi Bahar Jurusan Pedalangan, Fakultas Seni Pertunjukan, Institut Seni Indonesia Denpasar, Indonesia

DOI:

https://doi.org/10.31091/mudra.v20i1.1517

Keywords:

Kontemporer, musik Minang, perubahan

Abstract

one of musical entities in West Sumatera is the Minangkabau cultural music. The existence of the music has changed significantly since the second half of twentieth century, as an intergral change of Indonesian music in general. Following the situation I see the emergence of academic discussions on the music in a member of forums in this republic. In the discussion, many terms are adopted from foreign languages, especially English, such as “contemporary”. Various meanings given to “contemporary” are used to define the phenomena of changes in music in the countri. One of a newly-created music as a phenomenon of change in the Minangkabau cultural context is “Kawin Silang” composition. The composition in this article is discussed in the contemporary perspective.

Downloads

Download data is not yet available.

References

Ackere, J. Van. tt. Musik Abadi, Terj. J.A. Dungga. Djakarta: Gunung Agung,

Bahar, Mahdi. 2003 “Perkembangan Budaya Musik Perunggu Minangkabau di Sumatera Barat”. Disertasi untuk memperoleh derajat Doktor dalam Ilmu Budaya pada Universitas Gadjah Mada.

Becker, Judith. 1980. Traditional Music in Modern Java, Gamelan in Changing Society. Honolulu: The University Press of Hawaii.

Buchanan, Scott., ed., 1977. The Portable Plato. New York: Penguin Books. Dickie, George.1979. Aesthetics. Indianapolis: The Bobbs-Merrill Company, inc.Garraghan,

Gilbert J. dan Jean Delanglez, sj., 1957. A Guide to Historical Method. New York: Fordham University Press.

Hardjana, Suka ed.1986. Enam Tahun Pekan Komponis Muda, 1979-1985. Jakarta: Dewan Kesenian Jakarta.

Hartati, M., 1997. “Galombang: Seni Pertunjukan Penyambutan Tamu Di Ampalu, Pariaman, Minangkabau”. Tesis untuk mencapai derajat Sarjana S-2 Program Studi Pengkajian Seni Pertunjukan Universitas Gadjah Mada,.

Jung, Carl Gustav. 1987. Menjadi Diri Sendiri, Pendekatan Psikologi Analitis. Terj. Agus Cremers. Jakarta: PT. Gramedia.

Kayam, Umar. 1981.Seni, Tradisi, Masyarakat. Jakarta: Sinar Harapan. Kartomi, Margaret.1979. “Minangkabau Musical Culture: The Contemporary Scene and Recent Attempts at Its Modernization”, dalam David Gloria, ed., What is Modern Indonesian Culture? Ohio: Ohio University Press.

Kostelanetz, Richard. 1978. “Contemporary American Esthetics”, dalam

Ricard Kostelanetz, ed., Esthetics Contemporary. Buffalo, New York: Prometheus Books.

Lerner, Daniel. 1978. Memudarnya Masyarakat Tradisional, terj. Muljarto Tjokrowinoto. Yogyakarta: Gadjah Mada University Press.

Mack, Dieter. 1995. Sejarah Musik Jilid 4. Yogyakarta: Pusat Musik Liturgi.

____. 2001. Musik Kontemporer & Persoalan Interkultural. Bandung: Artiline.

Mish, Fredrick C., et al., ed. 1985. Webster’s Ninth New Collegiate Dictionary. Springfield, Massachusetts.

Monsieur, Rameau. 1971. Treatise on Harmony. Trans. by Philipe Gossett. New York: Dover Publications.

Nor, Mohd. Anis Md. 1986. Randai dance of Minangkabau Sumatera with Labanotation Score. Malaysia: Department of Publication University of Malaya.

Pasaribu, Ben M. 1992. “Taganing Batak-Toba: Suatu Analisis Struktural dan Stratifikasi Sosial”, dalam Seni Pertunjukan Indonesia. Surakarta: Masyarakat Seni Pertunjukan Indonesia. .

Raden, Franki. 1994. “Dinamika Pertemuan Dua Tradisi: Musik Kontemporer Indonesia, di Abad ke-20”, dalam Kalam, Jurnal Kebudayaan. Edisi 2.

Sedyawati, Edi. 1981. Pertumbuhan Seni Pertunjukan. Jakarta: Sinar Harapan.

Shils, Edward. 1983. Tradition. Chicago: The University of Chicago Press. Sjukur, Slamet Abdul. 1994. “Mak Comblang dan Pionir Asongan: Musik Kontemporer Itu Apa?”, dalam Kalam, Jurnal Kebudayaan (edisi 2 – 1994).

Turner, Jonathan H. 1978. The Structure of Sociological Theory. Illinois: The Dorsey Press.