Karawitan Bali Dalam Perspektif Rasa

Karawitan Bali Dalam Perspektif Rasa

Authors

  • I Wayan Suweca Jurusan Pedalangan, Fakultas Seni Pertunjukan, Institut Seni Indonesia Denpasar, Indonesia

DOI:

https://doi.org/10.31091/mudra.v20i1.1516

Keywords:

Karawitan Bali, gong kebyar and rasa.

Abstract

This article is written in order to make a deeply understanding about the concept of Balinese traditional music, especially which related with the sense of musical. The aim of this article is to observe some theories which can be used by the composer in creating songs with sense and different variations of musical. With detail observation of many kind elements that has the possibility to influence and take a part in conveying sense. The method used is the compotation of the composer from some decade. With the priority of the critical science of the study as the main problem in the method used, and hopefully the resume can be used in fixing the study tools about Balinese traditional music. By the understanding of the musical sense as one part of the concept in creating the scientific Balinese traditional music, will open the nest generation ways in thinking to act and create something regularly.

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References

Arya Sugiartha, 1 Gede. 1996. Gamelan Pegamhuhan: Pengaruhnya Terhadap Gamelan Golongan Madia dan Barn Dalam Karawitan Bali, Tesis S2 pada Universitas Gadjah Mada Yogyakarta.

Bandem, I Made. 1986. Prakempa Sebuah Lontar Gamelan Bali, Denpasar: Sekolah Tinggi Seni Indonesia.

Bandem, I Made, “Ubit-Ubitan Sebuah Tekntk Permainan Gamelan Bali”, Denpasar: Daftar Isian Kegiatan STSI Denpasar Nomor 080/23/S99I.

Hartoko, Dick. 1984. Manusia dan Seni, Yogyakarta: Penerbit Kanisius. Mack, Dieter. 1994. Ihnu Melodi, Yogyakarta: Pusat Musik Liturgi.

Phee, Colin Mc. 1964. Music In Bali: A Study in Form and Intrumental Organization in Balinese Orchestral Music, New Haven and London: Yale University Press.

Rai S, I Wayan (dkk). 1999. “Keragaman Laras (Tuning System) Gameian Gong Kebyar di Bali”. Laporan Penelitian Hibah Bersaing, Direktorat Jenderal pendidikan Tinggi Depdiknas.

Rai S, I Wayan. 2004. “Unsur Musikal dan Ekstra-Musikal Dalam Penciptaart Gending Iringan Tari Bali”, Orasi llmiah daJam rangka Pengukuhan Guru Besar Bidang Etnomusikologi pada Institut Seni Indonesia Denpasar, Tanggal 28 Januari 2004.

Soedarso Sp. 1990. Tinjauan Seni Sebuah Pengantar untuk Apresiasi Seni, Yogyakarta: Saku Dayar Sana Yogyakarta.

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Published

06-07-2021

How to Cite

I Wayan Suweca. (2021). Karawitan Bali Dalam Perspektif Rasa. Mudra Jurnal Seni Budaya, 20(1). https://doi.org/10.31091/mudra.v20i1.1516

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