Seni Pertunjukan Tradisional Bali, Sebuah Renungan Sejarah

Seni Pertunjukan Tradisional Bali, Sebuah Renungan Sejarah

Authors

  • I Gusti Ngurah Seramasara Jurusan Pedalangan, Fakultas Seni Pertunjukan, Institut Seni Indonesia Denpasar, Indonesia

DOI:

https://doi.org/10.31091/mudra.v20i1.1512

Keywords:

Identita budaya Bali, pertunjukan tradisional

Abstract

The existence of Balinese performance art can be observed through a long journey based on such of clues like artifact and ancient inscription which are found and described the categories of our inheritance performance art at the present are existed since the age of Ancient Balinese. Through the awareness of history, the age of Ancient Balinese is made of by the relationships between Balinese and East Javanese kings. In another ways can be comprised that the Balinese performance art is included in ancient Balinese performance art which is known as the product of Javanese culture and Balinese tradition’s acculturation. The East Javanese culture’s inheritance has cultivated by the fallen of Balinese’s Kingdom under Majapahit since the governance of King Asta Sura, Ratna Bumi Banten which caused the dominant influence of Majapahit’s culture to the development of Balinese culture until now. Seen that the Balinese performance art has a meaning to regenerate and socialize the Balinese culture and can also assumed that traditional performance art is become the identity of Balinese culture. The changes of age and the existence of culture system will influence the form and structure of performance art so that in reconstructing of traditional performance art as a history moment is always limited by space, proceed with time and reconstruct to the artist’s style. The changes of form and art structure can be possessed as a history process while its meaning and characteristics are always powered and prevented the genuine of Balinese culture art.

Downloads

Download data is not yet available.

References

Bandem, I Made dan Fredrik Eugene de Boer. 1981. Kaja And Kelod: Balinese Dance in Transition. Kuala Lumpur: Oxford University Press.

Berg, C.C, de. 1929. Middeljavaansche Historische Traditie. De Geschiedenis van het Rijk Gilgil. Santpoort: C.A Mess.

Dibia, I Wayan. 1999. Selayang Pandang Seni Pertunjukan Bali. Bandung: Masyarakat Seni Pertunjukan Indonesia.

Goris, R. 1954. Prasasti Bali II. Djakarta: Lembaga Bahasa dan Budaya. Gottschalk, Louis. 1986. Mengerti Sejarah (terjemahan dari Nugroho Notosusanto). Jakarta: Universitas Indonesia.

Hauser, Arnold. 1951. The Social History of Art. New York: Vintage Books a Division of Random House. Kartodirdjo, Sartono. 1976. Sejarah Nasional Indonesia Jilid II. Jakarta: Departemen Pendidikan dan Kebudayaan. Kartodirdjo, Sartono.1982. Pemikiran Dan Perkembangan Historiografi

Indonesia Suatu Alternatif. Jakarta: P.T Gramedia. Kempers, A.J, Bernet. 1991. Monomental Bali . Introduction to Balinese

Archeology and Guide to the Monument. Singapore: Periplus Edition. Lauer. H, Robert. 1981. Perspektif Tentang Perubahan Sosial (terjemahan). Jakarta: Bina Aksara.

Soedarsono, R.M.1999. Seni Pertunjukan Indonesia dan Pariwisata. Bandung: Masyarakat Seni Pertunjukan Indonesia.

Soedarsono, R.M. 2003. Seni Pertunjukan dari Perspektif Politik, Sosial dan Ekonomi. Yogyakarta: Gadjah Mada University Press.

Sidemen, Ida Bagus. 2005. Seribu Tahun Petanu–Pakerisan Lembah Budaya Yang Menyejarah (914–1899) (naskah yang belum diterbitkan). Denpasar.

Sedyawati, Edi. 1981. Pertumbuhan Seni Pertunjukan. Jakarta: Sinar Harapan.

Terence and Hobsbawn (ed). 1987. The Invention of Tradition. Cambridge: Cambridge University Press.

Zoet, Baryl de and Walter Spies .1973. Dance and Drama in Bali. Kuala Lumpur: Oxford University.

Downloads

Published

06-07-2021

How to Cite

I Gusti Ngurah Seramasara. (2021). Seni Pertunjukan Tradisional Bali, Sebuah Renungan Sejarah . Mudra Jurnal Seni Budaya, 20(1). https://doi.org/10.31091/mudra.v20i1.1512

Issue

Section

Articles
Loading...