Abdul Muluk Improvisation Techniques in the Warung Kajang Lako Program on TVRI Jambi
DOI:
https://doi.org/10.31091/mudra.v39i2.2632Keywords:
abdul muluk improvisation techniques, sanggar pancarona jambi, warung kajang lakoAbstract
One of the characteristics of traditional Indonesian theater, including Abdul Muluk Jambi, is that the performances rely on the improvisational abilities of the actors. Therefore, improvisation techniques are an essential element in traditional Indonesian theater acting, especially the Abdul Muluk Jambi theater. One of the theater groups that is intense in developing improvisation techniques based on Abdul Muluk's improvisations is Sanggar Pancarona Jambi. This research was conducted to find patterns of improvisational acting techniques in the Abdul Muluk performance by Sanggar Pancarona Jambi. The material object of this research is the performance of Abdul Muluk by Sanggar Pancarona which was broadcast on TVRI Jambi in the Warung Kajang Lako program. This event featured Abdul Muluk's appearance with a shortened duration. The selection of this object was based on the characteristics of the Abdul Muluk performance by Sanggar Pancarona which prioritizes the power of actor improvisation. To find patterns in Abdul Muluk's improvisation techniques, the research method used was a qualitative method with stages, observation, interviews and data analysis. The results achieved from this research are that Sanggar Pancarona Jambi uses improvisation techniques adopted from the Abdul Muluk Jambi theater. Abdul Muluk's improvisation technique which was applied at the Warung Kajang Lako TVRI Jambi event consisted of: Improvisation Rules, Building Agreement, Creating and Saying Topics, Creating Collective Imagination, Division of Tasks, Setting Timings, Starting from Introductions and Interacting with the Audience. The supporting element for Abdul Muluk's improvisation is music that is improvised in response to the actor's improvisation.Downloads
References
Achmad, A. Kasim, 2006. Mengenal Teater Tradisional di Indonesia. Dewan Kesenian Jakarta: Jakarta.
Adlini, Miza Nina, et al. "Metode penelitian kualitatif studi pustaka." Edumaspul: Jurnal Pendidikan 6.1 (2022): 974-980.
Akbar, Abdur Rizky. "“Beralas Bumi Beratap Langit”: An Investigation of Creating Role and Space through Site-Specific." Mudra Jurnal Seni Budaya 37.4 (2022): 352-357.
Banoe, Pono. 2003. Kamus Musik. Yogyakarta: Kanisius
Dalyono, dkk. 1996. Dul Muluk. Palembang: Proyek Pembinaan dan Pengembangan Kesenian Tradisonal.
Dhony, N.N.A. 2014. Bentuk dan Struktur Pertunjukan Teater Dulmuluk dalam Lakon Zainal Abidinsyah di Palembang (Tesis). Diperoleh dari Repository ISI Surakarta.
Fadli, Muhammad Rijal. "Memahami desain metode penelitian kualitatif." Humanika, Kajian Ilmiah Mata Kuliah Umum 21.1 (2021): 33-54.
Hasanah, Hasyim. "Teknik-teknik observasi (sebuah alternatif metode pengumpulan data kualitatif ilmu-ilmu sosial)." At-Taqaddum 8.1 (2017): 21-46.
Irianto, Ikhsan Satria, et al. "Recombination of Minangkabau Traditional Arts in Alam Takambang Jadi Batu by Komunitas Seni Nan Tumpah." Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni 22.1 (2020): 85-99.
Irianto, Ikhsan Satria. "Visi Dramatik Soekarno dalam Drama Rainbow: Poetri Kentjana Boelan." Melayu Arts and Performance Journal 4.2 (2021): 141-159.
Iskandar, Aldi N., 2023. Pembelajaran Seni Musik. Yogyakarta: Zeenbook Publishing.
Moleong, J.L. 2010. Metodologi Penelitian Kualitatif. Bandung: Remaja Rosdakarya. Sumadiyo, Y. Hadi. 2018. Ravitalisasi Tari Tradisional. Cipta Media: Yogyakarta.
Mulyani, Endang dan Ferry Yanto, Teater Abdul Muluk Desa Sembubuk 1930-1990, Jambi: Jurnal Instoria, Vol. 4 No. 1, 2020.
Karsito, Eddie, 2008. Menjadi Bintang: Kiat Sukses Jadi Artis Panggung, Film dan Televisi. Jakarta: Ufek Press.
Rifandi, Ilham, and Ikhsan Satria Irianto. "" Membingkai Melayu" Perancangan Metode Akting Berbasis Tradisi Untuk Pembelajaran Makyong di Program Studi Seni Pertunjukan UNIMED." Jurnal Sendratasik 12.2 (2023): 157-168.
Rijali, Ahmad. "Analisis data kualitatif." Alhadharah: Jurnal Ilmu Dakwah 17.33 (2019): 81-95.
Santosa, Eko. Improvisasi dalam Teater: Teknik Pemeranan dan Pertunjukan. Yogyakarta: Jurnal Tonil, Vol. 14, No. 1, 2017.
Somantri, Gumilar Rusliwa. "Memahami metode kualitatif." Makara Human Behavior Studies in Asia 9.2 (2005): 57-65.
Soeharto.M. 1993. Belajar Notasi Musik. Jakarta: Penerbit PT. Gramedia Pustak Utama.
Yudha, I. Made Bendi, et al. "“Sabda Bayu” Rajas Tamas Octopus Methapor in Contemporary Painting Work." Mudra Jurnal Seni Budaya 38.1 (2023): 31-38.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Ikhsan Satria Irianto, Indra Gunawan, Lusi Handayani, Tofan Gustyawan
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
- Copyright on any open access article in a journal published by Mudra Jurnal Seni Budaya is retained by the author(s).
-
The Creative Commons Attribution License 4.0 formalizes these and other terms and conditions of publishing articles.