Outdoor Advertising in Yogyakarta During Post-Pandemic Covid-19 in Socio–Design Study
DOI:
https://doi.org/10.31091/mudra.v38i1.2147Keywords:
advertising, space, public, post-pandemic, covid-19, sociology and designAbstract
This study aims to identify and critically analyze Outdoor Advertising in Yogyakarta using a socio-design approach. Outdoor Advertising, such as banners, banners, posters, billboards, and other media installed in every corner of Yogyakarta, is a dilemma. According to the view of a person or institution/industry, existence of Outdoor Advertising is an effective medium for conveying promotional messages to the public. Meanwhile, for regulators, especially for local governments, this can provide regional income through relatively high taxes. Nevertheless, on the other hand, the rise of Outdoor Advertising raises aesthetic, security, and environmental management issues in Yogyakarta City. This study uses a qualitative method with a socio-design approach (social aesthetics). The social-aesthetic process appreciates design work in a socio-environmental context, both the human environment, the natural environment, and the social environment. The design work in this study is the design of Outdoor Advertising is an essential variable because the delivery of messages through Outdoor Advertising will determine the content, shape, and type, as well as the location or installation. When viewed from a functional context, advertising is to help market products and services persuasively. From the aesthetic context, outdoor advertising displays must focus on Yogyakarta's social, economic, cultural, and environmental aspects. The results of this study indicate that Outdoor Advertising is needed for communicators to convey messages on products/services. As an essential regulator, the local government makes public spatial planning policies related to ad placement. Therefore, Outdoor Advertising can help increase the positive perception of the correlated people to form the image of the Yogyakarta city planning, which is unique and has a comfortable heart.
Downloads
References
Antara. (2022a). Baliho di Yogyakarta Ambruk Diterjang Angin Kencang. Bisnis.Com. https://foto.bisnis.com/view/20220112/1488445/baliho-di-yogyakarta-ambruk-diterjang-angin-kencang
Antara. (2022b). Ribuan Reklame di Yogyakarta Ditertibkan, 91 Melanggar Perda. Msn.Com. https://www.msn.com/id-id/berita/nasional/ribuan-reklame-di-yogyakarta-ditertibkan-91-melanggar-perda/ar-AA12oila
Baudrillard, J. P. (1976). For a Critique of The Political Economy of the Sign. Telos press.
Baudrillard, J. P., & Wahyunto. (2006). La societe de consommation / Masyarakat konsumsi / Jean P. Baudrillard; penerjemah, Wahyunto. Kreasi Wacana.
Berleant, A. (2010). Sensibility and Sense, The Aesthetic Transformation the of Human World. Imprint Academic.
Bourdieu, P. (1984). The Field of Cultural Production: Essay on Art and Literature. Columbia University Press.
Bungin, B. (2007). Penelitian Kualitatif: Komunikasi, Ekonomi, Kebijakan Publik dan Ilmu Sosial lainnya. Putra Grafika.
Davidson, M. (1994). The Consumerist Manifesto Advertising in Postmodern Times. Routledge.
Denzin, N. K., & Lincoln, Y. S. (eds. . (2009). Handbook of Qualitative Research. Terj. Dariyatno dkk. Pustaka Pelajar.
Devin Defriza H. (2006). Studi Pengaruh Iklan Luar Ruang sebagai Faktor Pembentuk “Sense of Place” Ruang Kota. Jurnal Sistem Teknik Industri, 7(1), 73–81.
Djelantik, A. A. . (1999). Estetika Sebuah Pengantar. Masyarakat Seni Pertunjukan Indonesia.
Ewen, S. (2001). Captains Of Consciousness Advertising and The Social Roots of The Consumer Culture. Basic Books.
Featherstone, M. (2001). Consumer Culture and Posmornism atau Posmodernisme dan Budaya Konsumen, terjemahan Misbah ZE. Pustaka Pelajar.
Feldman, E. (1992). Varietas of Visual Experience. Prentice Hall.
Fibrianti, L. (2021). Kondisi Pertumbuhan Ekonomi saat Pandemi Covid-19 di Indonesia. Viva.Co.Id. https://www.viva.co.id/vstory/lainnya-vstory/1380397-kondisi-pertumbuhan-ekonomi-saat-pandemi-covid-19-di-indonesia
Frascara, J. (2004). Communication Design: Principle, Methods, and Practice. Allworth Press.
Holtje, H. F. (1978). Theory and Problems of Advertising. Mc Graw Hill Book Company.
Hulburt, A. (1981). The Design Concept. Watson-Guptill Publications.
Jefkins, F. (1996). Periklanan (edisi ketiga). Penerbit Erlangga.
Khasali, R. (1999). Membidik Pasar Indonesia Segmentasi, Targeting, Positioning. Gramedia Pustaka Utama.
Miles, B. M., & Huberman, M. (1992). Analisis Data Kualitatif Buku Sumber Tentang Metode-metode Baru. UIP.
Najafi, M., & Shariff, M. K. B. M. (2011). The concept of place and sense of place in architectural studies. World Academy of Science, Engineering and Technology, 80(8), 1100–1106.
Nurhadi, N., Purwantara, S., & Khotimah, N. (2012). Kajian Spasial Keberadaan Reklame Luar Ruang terhadap Etika dan Estetika Ruang Publik di Kota Yogyakarta. Informasi, 38(2). https://doi.org/10.21831/informasi.v2i2.4448
Oka Prasiasa, D. P. (2022). Mural Art as a Media for Social Criticism: Perspective Structuralist-Constructivism.Mudra Jurnal Seni Budaya, 37(2), 203–211. https://doi.org/10.31091/mudra.v37i2.1985
Udayana, A. A. G. B. (2018). Women Aesthetics in Pundi Bank Advertisement from Cultural Studies Perspective. Mudra Jurnal Seni Budaya, 33(3), 324. https://doi.org/10.31091/mudra.v33i3.518
Wardhani, D., Kusumowidagdo, A., Kaihatu, T., & Rahadiyanti, M. (2019). Sense of Place Pasar Barang Antik Triwindu: Eksplorasi Faktor Fisik dan Sosial Pada Kompleks Arsitektur Komersial di Surakarta. 34, 1–10.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Prayanto Widyo Harsanto, Anak Agung Gede Bagus Udayana
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
- Copyright on any open access article in a journal published by Mudra Jurnal Seni Budaya is retained by the author(s).
-
The Creative Commons Attribution License 4.0 formalizes these and other terms and conditions of publishing articles.