Tahapan dalam Produksi Komposisi Iringan Tari Satya Gora Dharma
DOI:
https://doi.org/10.31091/jomsti.v6i1.2419Abstract
Purpose: This paper discusses the series of stages of production of Satya Gora Dharma Dance Accompaniment composition, where this work is a karawitan composition work that the author made in 2021. Method: This work is produced by the author using Digital Audio Workstation technology, with a series of stages starting from the beginning until this work is completed. Digital Audio Workstation is a digital-based technology that is often used by musicians, arrangers, composers and other work sectors related to data processing in the form of audio recordings. Satya Gora Dharma dance is the great dance of Satya Dharma Singaraja College of Economics (STIE) initiated by Dr. A.A.A.N Tini Rusmini Gorda, Dr. A.A.N Oka Suryadinatha Gorda, Dr. A.A.N Eddy Supriyadinata Gorda, Dr. A.A.A.N Sri Rahayu Gorda. Satya Gora Dharma dance accompaniment compositions are produced with 3 software, namely Cubase Pro 10.5, WaveLab Pro 10, and Virtual Studio Technology (VST) from Native Instrument Kontakt 6. Result and Discussion: The discussion in this paper will focus on how this composition work is produced starting from the stage of taking audio sampling from the gamelan instruments used, making VST, composing arrangement, mixing, balancing, to the final stage in the production process, namely the mastering stage. The data analysis technique used in this paper is qualitative descriptive analysis. The qualitative descriptive analysis technique is carried out by analyzing the data that has been obtained through qualitative descriptive analysis. Then at the end a conclusion is drawn and accompanied by the necessary advice
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
The author submits the manuscript to do so with the understanding that if accepted by the Journal of Music Science, Technology, and Industry for publication, the publication of the copyright of the article will be assigned/transferred to the Journal of Music Science, Technology, and Industry.
However, the Authors still reserve the following:
a). All proprietary rights other than copyright such as patent rights,
b). The right to use all or part of this article in future works of our own such as in books and lectures.
After receiving the article, the author will be asked to complete the 'Copyright Transfer Agreement'. An e-mail will be sent to the relevant author confirming receipt of the manuscript along with the 'Copyright Transfer Agreement' form by the online version of this agreement.
the Journal of Music Science, Technology, and Industry, the International Editorial and Editorial Board made every effort to ensure that no false, misleading data, opinions or statements were published in the journal . In any way, the contents of articles and advertisements published in the Journal of Music Science, Technology, and Industry are the sole and exclusive responsibility of each writer and advertiser.
The Copyright Transfer Agreement Form (CTA) can be downloaded here: [Copyright Transfer Agreement (CTA) Form Journal of Music Science, Technology, and Industry]
